Lee Crowley
Movement and Intimacy
Afterglow (Southwark Playhouse); F**king Men (Waterloo East theatre 2023); Saturday Night and Sunday Morning (Mercury Theatre, Colchester); Remote (National Theatre Connections); Fabric (Underbelly Edinburgh Festival-Winner of The Scotsman Fringe First); Black Eyed Susan (Theatre Royal, Bury St Edmunds).
Choreography
Bleak Expectations (Criterion Theatre); Young Frankenstein and Sweeney Todd: The Demon Barber of Fleet Street (English Theatre, Frankfurt; Company (Aberdeen Arts Centre); The Spitfire Grill (Union Theatre); Sweeney Todd: The Demon Barber of Fleet Street (Twickenham Theatre-winner of the What'sOnStage Award for Best Off-West End Production 2015) The Perfect Wife (Newbury Corn Exchange); Cabaret (Aberdeen Arts Centre); Alice in Wonderland (Old Rep, Birmingham); Rapunzel, Mansfield Park and The Glass Slipper (Theatre Royal, Bury St Edmunds); Cinderella and Aladdin (Salisbury Playhouse); ; Little Me (Bloomsbury Theatre); The Wedding Singer (Lowry Theatre, Salford). A Midsummer Night’s Dream (British Shakespeare Company) Sleeping Beauty (Queens Theatre, Hornchuch-winner of Best Panto ‘Offies 2023');
Movement and Choreography projects for L.A.M.D.A - ArtsEd - Young Vic - National Youth Theatre - National Youth Music Theatre - Sylvia Young Theatre School